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What drew you to this production? Mostly the sexual magnetism of our director, Janine Hodder. I had just finished work on my Fringe production of Miss Julie, and Janine was absolutely fabulous in the role of Christine. I knew that I wanted to continue working with her; so when I saw that walk-in auditions were being accepted, I leapt at the opportunity. Janine just happens to be far nicer then I am, and gave me a role with a few more lines then Christine had; BUT, she isn't letting me do a sexy dance at the top of the show... so I think we're about even.
What is your background in theatre? I graduated from the Theatre Arts program at Grant MacEwan University, where I studied under some fabulous teachers. The majority of my theatre training, however, comes from studying the fiercest and weirdest icons of the stage and screen - everyone from Greta Garbo to Divine. I am a firm believer that you can
learn everything you need to know about acting from watching Bette Davis kick the s*** out of Joan Crawford in Whatever Happened to Baby Jane? I have had the incredible honour to perform with (i.e.: drink with) some of the most talented people in Canada. This is my first show with Walterdale.
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This show ends with a big party, if you were to hold a costume themed party, what kind of party would you throw? I suppose if I were going to throw a costume/theme party, I would have to base it around the greatest film of all time: Showgirls. Why? Have you ever seen Showgirls? It's over-the-top, it's fabulous, it's sparkly, it's stupid, it's hilarious, and it cost way too much money to make. To make it a fabulous event, I would have strippers, lap-dancing akin to The Exorcist, a big bag of chips to be eaten by Elizabeth Berkley, Gina Gershon doing cocaine (because, hey, that's VEGAS), and a lot of walking into the wind.
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