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What drew you to this production? I joined the production as painter first, but wanted to audition because I found the script so sharp and relevant. The dialogue was challenging in the way that Shakespeare can be because of how Martin Crimp wrote it. I also liked the way it had taken the classic Moliere work and transported it to present day. I thought it was intelligent and fit neatly into today. One of the questions I always ask when approaching a play is "Why this play now?" I think The Misanthrope says some things that are very relevant today about how we treat the famous and the talented, and how people are deceptive in their interactions.
What is your background in theatre? I have been onstage and backstage for over 30 years. I spent many years at Keyano Theatre in Fort McMurray acting and backstage. I then taught high school drama for several years and that is where I started directing. Since relocating to Edmonton 7 years ago I found Walterdale. My first show was in Lunatic during the annual One Act Festival in 2006. That was followed by Steel Magnolias, Board Work (3 years as Secretary, 2 years as Artistic Director and 1 as Treasurer). I have directed four shows at Walterdale (Crimes of the Heart, The Best Little Whorehouse in Texas, Rabbit Hole and most recently Nine). I have also appeared onstage in The Threepenny Opera and Black Hearts in the Greenroom. As master painter I designed and painted Village of Idiots and I was Master Painter for Wyrd Sisters and The Weir. Outside of Walterdale I have my own company that I Co-Artistic Direct with Anne Marie Szucs called FinallySauces. Through it we have produced two of my scripts, From Something and Pieces. I love theatre and love that I live in Edmonton where I have the opportunity to see and do so much!
* Photo Credit: headshot by Janine Hodder
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