Opening this week... The Love of the Nightingale

As always, the wonderful Douglas Dollars-Stewart came it to take some media photos for our upcoming show. The Love of the Nightingale opens this Wednesday (April 4th) at Walterdale. Please enjoy the sneak peek!

http://gallery.radgrandpa.com/Event-Photography/Theatre/Love-of-the-Nightingale/22163073_cLgJ6s#!i=1769728353&k=nbTK6ZG

Spotlight on David Johnston - First Soldier in The Love of the Nightingale

What is your role in this production? Actor, playing the role of First Soldier. The soldier duo narratively functions almost as vaudevillian interstitial performers that insert themselves into the action every once in a while. There's also a healthy streak of Joey/Auguste-style clowning to them. (High status/low status.) I am, as I tend to play, the Auguste.

What does that entail? In no particular order: rope tricks, acoustic singing of Rufus Wainwright songs, macho posturing, shoulder lifts, and rolling around on the floor with Nate Rehman in the most accidentally homoerotic Greek-inspired battle sequence since 300.

Why did you audition for this production? What drew you to it? I’d read the script a few years ago and enjoyed it fine enough, but that was about it: I tracked down a copy this past fall, and that's when the script grabbed me. Which probably should've happened the first time, to be honest; I've always been a bit of a sucker for mythology tales, and this one is about three or four layers of mythos wrapped up in an Inception-style package that’s very appealing to me, as a storyteller. I also hoped I would get to wear a toga, or possibly some kicky sandals.

What is your background in theatre? This will be my fourth production with the Playhouse, having previously played inept henchman Filch (The Threepenny Opera), psychotic televangelist Melvin P. Thorpe (The Best Little Whorehouse in Texas) and southern-drawl-deficient Shawn (Kiss Within a Kiss). I graduated with a BA Drama from the University of Alberta in 2010 and have been stretching my limbs into as many Edmonton theatre pies as possible since then. I’m also Artistic Director of my own indie theatre company, Allspice Theatre, which is coming to Fringe 2012 with a comedy about Jesus’ college years. Yup.

What is the biggest challenge with this production? Unwrapping the aforementioned multilevel story-within-a-story-within-a-story nature of the text. Figuring out what’s occurring, both on a metaphoric and a purely literal frame, at any time, is an enjoyable but engrossing little puzzle. And communicating this to the audience in a straightforward format is the fun part. The most enjoyable thing? Being able to do some of the physical theatre work that I’ve become increasingly enamoured with over the last few years. Visual storytelling and body spectacle are wonderfully applicable in such an open, bare-bones production, and the near-clownish nature of the soldiers permits them to explore this dimension of the script in a lovely way.

What do you think our audiences will get from this production? If they’re at all inclined to mentally engage the text, then it’s an engaging treatise on storytelling and the nature of the myths we as a society choose to record and preserve. If they prefer to sit back and enjoy things purely on a surface level, then it’s a well-acted gripping, jagged little fable without the traditional rough edges sanded off. And if they don’t care about any of that, then there’s still all the homo eroticism I mentioned earlier that Nate and I are endeavoring to pull off. Everyone wins, basically.

Spotlight on Marsha Amanova - Procne in The Love of the Nightingale

What is your role in this production? I am playing the role of Procne, a young Athenian woman whose father weds her to King Tereus in gratitude for his help in winning the war. She becomes queen of Thrace, but has trouble adapting to Thracian culture and becomes desperately lonely. Procne sends her husband back to Athens to bring her younger sister Philomele for a visit, which begins the tragic chain of events.

What drew you to this production? I first read the play a year ago and was interested in the depth of the female characters. They are strong women whose ability to exercise power is limited because of their gender. I like the playwright's retelling of the myth. I was also interested in working with Director Alex Hawkins again!

What is your background in theatre? I've dabbled in theatre since Jr. High, mainly acting. I grew up in small towns and was a bit intimidated by the active theatre community in Edmonton when I moved here in the mid-nineties. I missed being onstage, and eventually joined a troupe of fellow English students and theatre lovers at the U of A. Shortly thereafter my Play Analysis Prof (Alex Hawkins) encouraged me to audition for the play he was directing at Walterdale (Cyrano de Bergerac). I was fortunate enough to be able to join the talented cast of that show, and I enjoyed my experience so much that I stuck around as a member over the years. In addition to acting, I have also dabbled in directing and have been a member of the Board of Directors for two seasons as Front of House Co-Director.

What is the biggest challenge with this production? The most enjoyable thing? Getting into the psyche of a character is always a challenge; fortunately it's also one of the things I most enjoy about acting! Procne experiences a wide range of intense emotions throughout the play, including: joy, fear, depression, frustration, anxiety, and anger. She is sincere in her belief that Athenians are better than others; she's loving, loyal and stubborn, and she spends much of the play in deep denial. While it can be difficult to fully comprehend these traits and the actions that Procne takes, much of the joy of the rehearsal process is finding a way to portray the character onstage in such a way that the audience is able to accept them.

What do you think our audiences will take away from this production? Although this play is not a traditional Greek Tragedy (it is a modern play based on a Greek myth), I still believe audiences will come away from this show with a feeling of catharsis. The myth of Procne, Tereus and Philomele is likely to invoke intense feelings in the audience throughout the play, and I hope that by the end of the show they are able to experience that release. However, I also believe the themes in the play have relevance today, and we don't want our audiences to accept or ignore these ideas. At the end of the show, I simply hope that people leave the theatre wanting to discuss what they have seen with their friends.

Any last comments you'd like to share? It is an honour and a pleasure to work with such a committed and dedicated team, from my fellow thespians to our esteemed production team. It's wonderful to be able to work closely with new friends and old. I ♥ Walterdale!

Spotlight on Quinn Hinch - Male Chorus Member in The Love of the Nightingale

What is your role in this production? My role in this production is as a member of the 2 member male chorus. This role entailed re-structuring the lines for the male chorus. Initially it was not divided up as a two person role. So John (Trehart) and myself had to design our lines to be split between the two of us. This included repetition, dividing up and reading lines in sync. As the male chorus we are "journalists of an antique world, putting horror into words. Unable to stop the events we will soon record."

Why did you come out for this show? What drew me to this production was my previous experience in the Walterdale. I enjoyed my time so much that I knew I wanted to work with this theatre again. Another reason was the director, Alex Hawkins, he had taught me as well as advised me throughout my first 3 years at the University of Alberta (as a DRAMA major). I was drawn to his directing style and wanted the chance to work with him outside of the classroom.

What is your background in theatre? I have been performing since I could walk and been in theatre since grade 6. I had been in school performances all through Jr. High and High School and made my first debut on the Edmonton theatre scene with the Walterdale's production of Rabbit Hole directed by Kristen Finlay last year. It was an incredible experience, I was cast as the understudy for Jason two weeks before the show went up and due to certain events got to perform in more shows than the person originally cast. I enjoyed having the opportunity to perform again. This past summer my theatre company Vagabond Theatre put up our first show called Papa's Got A Brand New Urn. I wrote, directed, produced and acted in this piece which was a great success. We are currently writing another show for the 2012 Fringe called The Complete History of the World in 60 Minutes.

What challenges have you met in this production? What has been most enjoyable? The biggest challenge in this production was re-designing the script to fit two male chorus members. It was a challenge John and myself took head on and although changes are still evolving we feel confident with the decisions we have made. The most enjoyable thing is just being on the stage again, you definitely get that actors' high when you step out on the stage even during rehearsals.

What do you hope the audience will take away from this show? The audience will get the myth, with the help of the male chorus providing direction. Our goal is to have the audience take away their own interpretation of the myth and apply it to their own life.

Any last comments? I'd like to thank all my friends, family, cast, and crew for their support and giving me the opportunity to do what I love!

Spotlight on Rowan Hickie - Hero in The Love of the Nightingale

What is your role in this production? In the production I play Hero, who is a member of the female chorus. What I love most about playing Hero and being a part of the female chorus is the fact that we get to interact not only with the characters in the play, but also make direct addresses to the audience. What I think is so magical and powerful about the female Chorus’ ability to speak to the audience and to see the audience, is that they manage to make the issues that occur during the play and make them contemporary and relevant for the audience watching.

Why did you audition for this production? I was in Alex Hawkins’ Theatre History class in the Fall, so that is where I first heard about the auditions. I was also really intrigued by the play itself as I had heard of the playwright, but not the play itself.

What is your background in theatre? I started doing community theatre productions in Calgary before I moved up to Edmonton for school. Currently I’m studying Drama at the U of A and loving every minute of it! My first Walterdale experience was acting in The Wyrd Sisters in Dec 2011, and it was during this production that I fell in love with the whole Walterdale experience.

What is the biggest challenge with this production? The most enjoyable thing?
I think that the biggest challenge with this production is also the most enjoyable part of it, and that would be the content of the play and the many contemporary issues that the play calls into question. I enjoy struggling with my views on certain issues and how to express them onstage while still successfully interpreting those views into my character and the text.

What do you think our audiences take away from this production? What I hope audiences will do after seeing this production would be to talk about it, to discuss the issues seen in the production and see how these issues are still prevalent in today’s society.

Any last comments you'd like to share? Enjoy the show !

Spotlight on Corrine Pelletier - Iris in The Love of the Nightingale

What is your role in this production? I am an actor. I play Iris, one of the 5 female chorus members. This entails a lot of coordination with the other ladies in the chorus.

What brought you to Walterdale for this show? I am a student at the University of Alberta and I had Alex Hawkins as my professor last semester. He invited us to audition. I knew the play from my previous drama class and I loved the story. I was very excited that I received the part of Iris as she was one of my favorite characters.

What is your background in theatre? I have been acting since I was 9 years old. I have done many local productions in my home town of Calgary, but I have not done anything since high school. This is my first production with Walterdale, and my first production in Edmonton.

What challenges have you found with this role? My first thought is that I would have a lot of trouble finding the right flow with the other ladies of the female chorus. However, from the very first read we just seemed to click and I now think that that has become the most enjoyable part of this production. The fact that the entire cast just seems to have an excellent dynamic.

What do you think the audience will take away from this production? There are a lot of little things in this play that foreshadows something to come or reflects back on something that happened previously. And while I doubt that I doubt the audience will notice all of these little thing it is my hope is that they will pick up one. Even if only one person realizes, "Wow, I remembered when that happened previously" or "They totally foreshadowed that" I would be extremely happy.

Any last thoughts? I would like to thank the entire cast and crew for making this productions one of my favorites to work on! I never felt uneasy or nervous or shy through out this process and I believe it is because everyone has been so welcoming.

Introducing the Cast and Production Team of The Love of the Nightingale

The Love of the Nightingale

Cast

Female Chorus: Helen - Marsha Amanova

Phaedra & Acrobat - Leah Beaudry

Niobe - Nathania Bernabe

Itys - Sadie Rain Bowling

Female Chorus: June - Lisa Dawn Daniels

Female Chorus: Echo - Noori Gill

Female Chorus: Hero - Rowan Hickie

Male Chorus - Quinn Hinch

Aphrodite & Acrobat - Julianna Hunt

Soldier 1; and Theseus - David Johnston

Philomele - Rachel Kent

Nurse & Female Servant - Brooke Leifso

Procne - Tanya Mirzayans

The Captain Kevin Ouellet

Female Chorus: Iris Corrine Pelletier

Male Chorus - John Trethart

The Queen - Sarah Van Tassel

King Pandion - Doug Verdin

Tereus - Justin Deveau

Soldier 2; and Hippolytus - Nate Rehman

Production Team:

Director - Alex Hawkins

Assistant Director - Eric Rice

Movement Coach - Kelsey Acton

Stage Manager - Pat Eyford

Production Manager - Janet McLean

Set Designer & Master Painter - Joan Hawkins

Lighting Designer - Leland Stelck

Costume Designer - Geri Dittrich

Sound Designer - Erin Foster-O’Riordan

Props - Alli Ross, Joan Hawkins, Geri Dittrich

Master Builder - Pierre Valois

Hair & Makeup - Geri Dittrich

Wardrobe Mistress - Elaina Bolton

There are always a few positions to fill and many hands required to help build and run the show. If you are interested in working on this show, contact Walterdale Theatre and they will pass along your information to Janet McLean.

Special Audition Notice

For the leading role of ‘Tereus, King of Thrace’, in our production of The Love of the Nightingale

by Timberlake Wertenbaker

Performance Dates: April 4^th – 14^th, 2012

Audition Date: Sunday, December 18^th, 2011; Times: 7:00 – 10:00 p.m.

Walterdale Playhouse (10322 83 Avenue)

Director: Alex Hawkins

A week ago, we auditioned 64 actors for the 21 roles available in our production of The Love of the Nightingale. We were successful in filling all but one of the available roles.

However, we were not able to find an actor for the major role of Tereus.

We are calling a Special Audition to ask any available actors to try out for this role.

Tereus is the major male character in the play. He is the King of Thrace, a warrior nation. Tereus has a natural quality that shows the authority of a king, without coming across as overly formal. In reference to age, Tereus must be, or appear to be, somewhere between his mid-twenties and his early thirties. Physically, he must be fit, like a warrior.

The actor who plays this role must have a range of skills and abilities, including a strong physical presence and natural authority, as well as likeability and a certain charisma.

For the audition, you are NOT expected to come with a prepared audition piece or monologue. Instead, auditioners will cold-read one or more sections of Tereus’s scenes from the play The Love of the Nighingale.

PLEASE NOTE: All auditioners must bring their January-April 2012 schedule of availability to the audition, indicating potential conflicts with rehearsal times. Rehearsals are scheduled from January 8 through the opening of the show on April 4, 2012, and will involve evenings from Mondays through Thursdays, and Sunday afternoons. Since Tereus is a leading character, the actor playing Tereus should expect to be called often for rehearsals.

If you need further information about the play, please contact Alex Hawkins, Director, at: hawkins27@shaw.ca

Walterdale is a volunteer/member organization. We cannot engage Equity performers.

The date, time and location of the Special Audition are at the top of this page. We wish to fill this roll as soon as possible.

To book an audition, please contact our Production Manager, Janet McLean, to sign up for an audition. Email (preferred): janet.mclean@shaw.ca; Phone (if you have no access to Email): 780-244-5472

(Drop-ins will be accommodated as time allows)

AUDITIONS! The Love of the Nightingale

The Love of the Nightingale

by Timberlake Wertenbaker

PERFORMANCE DATES: April 4th – 14th, 2012

AUDITION DATES: December 4th & 5th, 2011; Times: 7:00 – 10:00 p.m.

Walterdale Playhouse (10322 83 Avenue)

DIRECTOR: Alex Hawkins

The Love of the Nightingale is an ensemble play with substantial roles for 8-9 women, and 8-9 men, of various ages from (for the males) a young boy to an older man; and from (for the females) a teenage girl to an older woman — and many roles in between.

Everyone is welcome to audition, and we will be casting the play entirely from those who audition.

For the auditions, auditioners will be grouped within three possible time slots each evening:

• 7:00 to 7:45 pm


• 8:00 to 8:45 pm


• 9:00 to 9:45 pm

Auditioners should sign up for ONE of these slots on either Sunday or Monday evening. There is no advantage to signing up earlier rather than later; everyone who auditions during these two evenings will be considered seriously for the available roles.

Please note: Anyone wishing to be involved in production aspects (set building and painting, props, costumes, assistant stage managing, lighting and sound operation, etc.) is encouraged to contact our Production Manager, Janet McLean, as well (contact information below).

• For the audition, you are NOT expected to come with a prepared audition piece or monologue. Instead, all auditioners will cold-read one or more scenes from the play The Love of the Nightingale with other auditioners.


• Rehearsals: We will begin regular rehearsals on Sunday, January 8, 2012. From January 8 through mid-March, rehearsals will be scheduled for Monday, Tuesday, Wednesday, and Thursday evenings from 7:00 to 10:00 pm, and on Sunday afternoons from 1:00 to 4:00 pm. (No Fridays or Saturdays until mid-March.) Not everyone will be called for every rehearsal, and more details on specific rehearsal calls will be made once casting is completed. From mid-March through the beginning of April, cast members will be expected to be available for all of these times, plus Friday evenings and Saturdays, for technical rehearsals and dress rehearsals.


• PLEASE NOTE: All auditioners must bring their January-April 2012 schedules to the audition, indicating potential conflicts with rehearsal times.


• We will complete the casting by Friday, December 9, 2011. When we have cast the play, we will have one full reading of the play on Sunday, December 11 from 1:00 to 4:00 pm, then break for the holiday season. Every person who auditions should book this date and time, in the event that he or she is cast.


• Walterdale is a volunteer/member organization. We cannot engage Equity performers.

To book an audition, please contact our Production Manager, Janet McLean, and specify your preferred time within one of these slots. Email (preferred): janet.mclean@shaw.ca; Phone (if you have no access to Email): 780-244-5472

(Drop-ins will be accommodated as time allows)